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What do you get when you mix parents with a PhD. in Physics and a PhD. in Philosophy?

2 x Grammy® Nominated Artist Eric Alexandrakis.

You go to one of the best music universities in the world, are encouraged by both parents towards your gravitation to the world of art, almost immediately get to work for some of the biggest brands in the world, get the opportunity to work alongside some of your musical idols, have two hit songs on the Adult Contemporary charts, a hit on the Billboard Indicator Chart, and battle for your life against cancer not once, but twice. Singer-Songwriter-Composer-Producer Eric Alexandrakis didn’t have to imagine it; he lived it.

Eric’s story sounds like a movie script: Nazis executed his father’s father, while his mother’s father was a well-known mechanical innovator in Egypt. His parents were immigrants from Greece and highly accomplished in their fields. Eric’s godfather would tell him stories about his colleagues, and good friends Albert Einstein [also his neighbor] and J. Robert Oppenheimer [the latter of whom Eric's father also knew as a Physics graduate student at Princeton].  He is even an ancestor of Cretan freedom fighter Kostas Giamboudakis, who famously blew up the gun powder room at Crete's Arkadi Monastery in 1867, thus sparking the beginning of the end of Crete's Ottoman occupation.

Eric's childhood was filled with academia: his father's list of impressive accomplishments includes his role of being one of the main co-founders of the University of Crete. Eric’s accomplished mother is highly regarded within Philosophy circles through her published works, and his brothers are equally accomplished in their own fields. Occasionally Eric and his brothers were "burdened" with having to give their rooms away to Nobel Prize Winners in Physics, who were visiting the family. No one, it seemed, was especially musical, although his mother always had a lovely singing voice.

Eric’s earliest musical memories are hearing classical music from his crib, noticing rhythms and grooves from European disco while living in Greece, gravitating to a family friend’s copy of The Beatles’ White Album, and hearing the works of film composer John Williams. An initial interest in piano set him on course. He studied classical piano from the age of 6 to 16 years old and could not only sight read music, and sing, but was also able to transfer what he learned to other instruments, picking them up with ease. As a somewhat born explorer with an interest in literally everything, traveling was also a big part of his upbringing. Living in Greece, Miami, New Jersey, London and seeing far away places and museums growing up, only pulled him deeper into his creative interests. He immersed himself in learning everything he could, from the technique to how – and most importantly to him – why things worked. He mowed lawns in Miami for 8 months straight so he would have enough money to buy his first album, Duran Duran’s Seven and the Ragged Tiger. Eric was fascinated by the sounds the band created with synthesizers as well as the melodies and harmonies Simon Le Bon crafted.

During high school starting at age 16, Eric had the good fortune of spending time in studios recording music, and then with the intention of studying theatre [he had a lot of theatrical experience from a very young age], went on to the University of Miami majoring in English literature and public relations. Accepting that music was going to be his lifelong instinct, Eric went on to get his graduate degree in Music Business. It was during his graduate studies that Eric helped support the University backed music label [It was also around this same time that Eric discovered the songwriting of Noel Gallagher, which as he describes it, was "life-changing"]. Working on a compilation showcasing several different music genres, he incorporated a brand new technology invented by his long-time friend, inventor Scott Moskowitz (BlueSpike.com). That technology was digital watermarking. Over time, and during its evolution, Eric worked closely with Scott to show the technology to industry professionals for testing and support, so as to help reinforce its importance to intellectual property. This technology is now used by every company in the world that uses any form of digital exchange, from record labels, to film studios, to banks, and more.

With more than a little bit of real-life experience behind him, Eric graduated with several music industry jobs (management, label, radio promotion, road manager), appearances in T.V. and film [the Miami Vice reboot, and Dexter, to name a few], he started work on his first album, 9 Demos On A 4-Track, a ‘homemade’ organic album that captured songs as they happened without any extra production. As soon as he released it, a persistent pain forced him to go to the hospital where, just shy of 24 years old, Eric Alexandrakis was diagnosed with cancer.

While he found out the form of cancer he had was treatable, he still spent six months in chemo – hearing certain albums immediately bring back the smell of chemicals. He embraced the free time – what else could he do? – and started to write and record his second album, I.V. Catatonia, made up of twenty-two diverse compositions. The album cover featured a photo of Eric’s nurse and the artwork was his x-rays. While he maintained a sense of humor about his illness, the unexpected happened. Just as I.V. Catatonia was set for release, Eric had a recurrence of cancer that landed him in an enforced germ free hospital room for a month.

Seven blood and platelet transfusions, multiple chemotherapies and a stem-cell transplant forced Eric to confront his mortality. What was manifested, though, was an overwhelming desire to live, to create, to persevere at any cost. He took his survival as a giant GO sign and never looked back. 9 Demos On A 4-Track found its way to John Taylor of Duran Duran, who asked if he could sell the album on his new and innovative website, Trust the Process. Around that same time, MTV licensed all of 9 Demos and I.V. Catatonia for two of their reality shows. Important people were paying attention and Eric wasn’t going to miss his opportunity.

Needing a name for his company, Eric chose Minoan Music after the ancient people of Crete. He spent his days working, and his nights composing and contacting publishers, movie studios, television studios, producers, labels and more. His efforts began to pay off as Eric started getting more work from brands such as NBC, Oxygen, MTV, History Channel, NBA, CBS, Discovery Channel, Nike, Live Nation, Sony Computer Entertainment, Motorola, Kate Spade, Soulcycle, and Pepsi just to name a few. Eric has also written several Christmas songs, two of which, “Stealing Christmas” and “Hear Comes the Snow!”, reached the top 20 in the U.S. Adult Contemporary radio charts. They can still be heard during the holidays in many department stores across the U.S., and European radio.

Along the way, Eric also got to work with some of his creative heroes. He has collaborated with, and created content for the likes of John Taylor [Duran Duran], Vinnie Colaiuta [Sting, Herbie Hancock], Steve Howe [Yes], Roger O'Donnell [The Cure], Steve Ferrone [Tom Petty & The Heartbreakers], Perry Bamonte [The Cure], Andy Rourke [The Smiths], Depeche Mode, Yoko Ono, Sean Lennon, Young The Giant, Chris Stein [Blondie], The Dandy Warhols, Placebo, William Shatner, Harry Maslin [David Bowie, John Lennon, Cream, The Jimmy Hendrix Experience], Rob Freeman [The Ramones, Blondie, The Go-Go’s, Ace Frehley], Sandro Miller, John Malkovich, David Lynch, Mark Egan [Sting, Arcadia, Pat Metheny Group], Dolores O’Riordan [The Cranberries], Craig Leon [Blondie, Talking Heads], Ric Ocasek [The Cars], OMD, Dweezil Zappa, Chris Stein [Blondie], Angelo Badalamenti, Ric Ocasek [The Cars], Paul David Hager [Katy Perry, Miley Cyrus], Garry Beers [INXS], The Faint, The Sounds, Andy Summers [The Police], William Orbit [Madonna, Prince, U2], Melanie Safka, Ladysmith Black Mambazo, Warren Cuccurullo [Frank Zappa, Missing Persons, Duran Duran], Kirk Kelsey [The Smashing Pumpkins, Keith Urban], and many others.  His "avant-garde trio" [as Rolling Stone Magazine calls them] with renowned photographer/director Sandro, and acting legend John Malkovich, earned Eric great critical acclaim around the world, having put out several musical releases along with two award-winning films with his two cohorts. The trio's second film Psychogenic Fugue, a tribute to the characters of David Lynch [another one of Eric's creative experimental ideas], was even shortlisted at Cannes Lions in 2017. Eric has also served as a music industry contributor to Recording Magazine.

In 2019, Eric earned a Grammy® Nomination in the Best Spoken Word Album category for his album I.V. Catatonia: 20 Years As A Two-Time Cancer Survivor. He competed against Michelle Obama, The Beastie Boys, John Waters, and Sekou Andrews & String Theory.  The album, which also includes over an hour of music chronicles Eric's experiences during his illness, chemotherapy treatments and a stem cell transplant, with no health insurance or employment.  All he had was the support of his family and friends, and the time to create his music on a borrowed 4-track recorder.

In 2022, Eric earned his second Grammy® Nomination in the Best Americana Performance category for Silver Moon [A Tribute To Michael Nesmith], a cover tribute to one of his heroes, the late Michael Nesmith of The Monkees.  He competed in this brand new category against Brandi Carlile featuring Lucius, Bonnie Raitt, Asleep at the Wheel featuring Lyle Lovett, and The Blind Boys of Alabama featuring Black Violin.

2024 yielded results from a personal family project which the Greek press have called "The most important thing to happen to Greece in 50 years." Some years ago while researching for a project on his family, Eric had the idea to perform DNA analyses on 18 civilians who were executed in his father's village of Adele on Crete, as reprisals for Cretan resistance during the WWII Battle of Crete. Four of the victims were Eric's grandfather, his great-grandfather, and two uncles. With the help of scientists from the University of Crete, the family funded the analysis matching victim remains to living relatives.   

Eric has one steadfast rule: strive to constantly be uniquely creative, and create ripples.  He also likes hypercars and anything orange.

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All film and photo art by Eric Alexandrakis, except where it isn’t.

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